The film requires us to imagine for ourselves how this boy’s grief and need provoke so many longing gazes from Frances. Most people would just cremate their loved one and tote ashes to the desired locale, but Yasha has a corpse, and the Vikings have agreed to host a ceremonial pyre. But wherever you go in search of exotic charm, you just can’t escape Americans: Before she can settle into the local flow, Frances meets an anemic young guy from New York (Alex Sharp’s Yasha) who has come to bury his Russian-immigrant dad in the remote land he always wanted to see. ![]() The place’s chief, why not, is a guy from Cincinnati - Zach Galifianakis, playing a man who’s a little too committed to his job.Įarly fish-out-of-water scenes here have an easygoing appeal. But Frances is distracted by the Viking museum adjacent to the barn, one of those places where staffers dress in ancient garb and show how life was once lived. applying various shades of yellow paint to a decaying barn. Her inhospitable host, who’s behind schedule on a public art project, expects her to work from 7 a.m. ![]() ![]() As a failing painter who flees her life for a crap job in rural Norway, Slate gives her best to an underdeveloped role that was likely deeper in the novel by Rebecca Dinerstein, who makes her screenwriting debut with this adaptation. Sadly, the same can’t be said of The Sunlit Night, which promised to shine Norway’s 24-hour summer spotlight on Jenny Slate, who hasn’t yet had a roundly crowd-pleasing vehicle to capitalize on the cool-kids success of Obvious Child. Say what you will about Wetlands, the audience-dividing film that introduced Sundancers to director David Wnendt in 2014 that film’s singular blend of the revolting and the sweet made an oddly ideal showcase for its effervescent lead Carla Juri.
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